MARK YOUR CALENDAR
Upcoming Events for Children's Librarians
Pleasanton Public Library to host author talk: On Tuesday afternoon,
October 19th at 4:00pm, the Pleasanton Public Library will welcome debut
novelist Blue Balliett, author of the best-selling children's book, Chasing
Vermeer. Dubbed "The Da Vinci Code for tweens", two precocious
sixth graders become embroiled in an international art scandal when a valuable
Vermeer painting is stolen. Warner Brothers Pictures has acquired the movie
rights. www.ci.pleasanton.ca.us/library.html
Sue Jones, Pleasanton Library
Children’s Book Week: The 85th annual Children's Book Week is November
15-21, 2004, and they ask that people around the country bring children and books
together during this special week. They have many ideas for celebrating on the
Website at www.cbcbooks.org
Blume Wins Honorary National Book Award: Judy Blume, whose candid children's
books have attracted millions of readers and a wave of censors, has been
named this year's winner of an honorary National Book Award for contributions to American letters. "I'm
thrilled by this unexpected honor," Blume said in a statement, when
the award was announced. "We don't write hoping to win awards. We write
because we have to -- because of a burning need to share our characters and
stories."
"We're very pleased to have Judy Blume receive the prize, because it is
the first time we have given it to a young people's author. She is also someone
who gives back a great deal to the community," said Deborah E. Wiley, chairman
of the board of the National Book Foundation, a nonprofit organization that sponsors
the awards.
The author's many books include "Deenie," "Are You There God?
It's Me, Margaret" and "Tales of a Fourth Grade Nothing." In
1986, she sorted through her considerable fan mail and published "Letters
to Judy: What Your Kids Wish They Could Tell You." Blume will accept her
medal Nov. 17 at the 55th annual National Book Awards ceremony, in New York.
“Kirkus Goes Commercial”: Look for an article in the New York Times, dated Oct. 5, 2004, regarding a new business venture from book review journal Kirkus. Kirkus’s online site will now be doing some book reviews for a fee of $350 to promote a book – something unheard of for a journal that prided itself on its objectivity.
Performers’ Showcase: Mark your calendars now for the 19th annual ACL Performers’ Showcase, to be held on Saturday, February 26, 2005 at the San Leandro Public Library. Registration forms and more information will be in next months BayViews.
The 10th California Indian Storytelling Festival:
Bridging the Pacific with Native Voices
November 6 – 7, 2004
San Leandro Public Library Theater • 300 Estudillo Avenue • San
Leandro, CA 94577
On Saturday and Sunday, November 6-7, 2004 join us for a special celebration
and cultural exchange between Native California Indian and Hawaiian storytellers
at the 10th California Indian Storytelling Festival: Bridging the Pacific
with Native Voices at the San Leandro Public Library Theater in San Leandro,
California. Over the festival weekend Native storytellers from California,
Hawaii and Oregon will present storytelling performances, panel discussions,
and other presentations on indigenous oral traditions, folklore and storytelling.
Join us Saturday evening for a night of California Indian and Hawaiian music
in the "Story As Song" presentation.
The California Indian Storytelling Festival is presented in cooperation with
the San Leandro Public Library in San Leandro, CA. The festival will be held
in the state-of-the-art San Leandro Library Theater Center. The workshops are
recommended for adults and teens, ages 15 and up. The storytelling and music
performances are recommended for adults and children ages 8 and up. Suggested
donations for admission: Day programs (each day) -- adults--$12.00, Elders/students/children
8-17--$7.00; Evening Story As Song program, all seats $10.00. Program times:
Saturday, November 6th from 9 am to 5 pm and 6:30 to 9:30 pm (Story As Song),
Sunday, November 7th from 9 am to 4 pm. Visit www.cistory.org/festival for
more information.
The Festival is made possible by funding from the National Endowment for the
Arts, the California Indian Storytelling Association and audience donations.
Re-Issues & New Editions
Numeroff, Laura. Beatrice Doesn’t Want To. Illus. by Lynn Munsinger.
Candlewick, 1981/2004. $15.99, ISBN 076361160-3.
I have an old edition of Beatrice Doesn’t Want To, with illustrations
by the author, which I read aloud to preschoolers when they come for a library
tour. The story involves a little girl who accompanies her big brother to
the public library, where she repeatedly says “I don’t want to!” every
time he suggests she do something. Finally, she says the catchphrase again
when he tells her it is time to go home, because she is having so much fun
at storytime that she doesn’t want to leave.
The story is great for library tours because the audience can chime in “I
don’t want to!” every time the character says it, and the theme
of library as a great place fits our goal of a tour. In the old version, the
characters were all people. In Munsinger’s new illustrations, all the
characters are dogs. Another small change in the story occurs when, in the
original, a bored Beatrice waits outside the library and it starts to rain.
In the new version, she waits inside in a big chair. It isn’t as dramatic
but it is understandable that a small child wouldn’t wait outside the
library by herself nowadays.
Munsinger’s characters, known in the Tacky the Penguin series and many
other books, have very expressive faces. This new picture book version is larger
than the original, which was labeled an easy reader, and had only a few colors.
Munsinger’s full-color watercolors with ink details are set on white
backgrounds, and are very open and inviting and should carry to a storytime
group.
Picture Books With Surprise Endings
Recently on the PUBYAC listserv, Eric Norton from the McMillan Memorial Library in Wisconsin posted a list of picture books with surprise endings. According to Norton, the big winner seemed to be Bark George by Jules Feiffer. Other suggestions included in no particular order:
Wolf's Chicken Stew by Keiko Kasza
Icky Sticky Frog by Dawn Bently
One Cow, Moo, Moo! by David Bennett
My Lucky Day by Keiko Kasza
Scared Little Bear by Keith Faulkner
Lambs for Dinner by Betsy Maestro
Wombat Stew by Marcia Vaughn
Aminal by Lorna Balian
Black And White by David Macauley
Blue Rabbit And Friends by Wormell
Boats by Flora McDonnell
Dinner At Magritte's by Michael Garland
Fanny's Dream by Caralyn Buehner
First Day Jitters by Julie Dannenberg
Five Little Monkeys Jumping On The Bed by Eileen Christelow
Frog Princess? by Pamela Mann
Green Wilma by Tedd Arnold
I'm Coming To Get You by Tony Ross
Just Like Daddy by Frank Asch
The Knight and The Dragon by Tomie DePaola.
Librarian from the Black Lagoon by Mike Thaler
Louella Mae, She's Run Away by Karen Alarcon
Lucky Pennies And Hot Chocolate by Carol Diggory Shields
Milo's Hat Trick by Jon Agee
Monster at the End of This Book by Jon Stone
Mr. Wolf's Pancakes by Jan Fearnley
My Little Sister Ate One Hare by Bill Grossman
One Dark Night by Lisa Wheeler
Paperbag Princess by Robert Munsch
Princess Smartypants by Babette Cole
Shortcut by David Macauley
Sleeping Ugly by Jane Yolen.
Sometimes It's Turkey, Sometimes It's Feathers by Lorna Balian
Stephanie's Ponytail by Robert Munsch
Stinky Cheese Man by Jon Scieszka
Surprise by George Shannon
Swimmy by Leo Lionni
True Story of the Three Little Pigs by Jon Scieszka
Tuesday by David Wiesner
Viper by Lisa Thiesing
What A Mess by Stephen Krensky
What's the Time, Grandma Wolf? by Ken Brown
What's Wrong With This Book? by Richard Mcguire
Widow's Broom by Chris Van Allsburg
Zoom by Istvan Banyai
Where is Little Reynard? by Joyce Carol Oates
Barkus, Sly and the golden egg by Angela McAllister
Rosa Raposa by F. Isabel Campoy
What lies on the other side? by Udo Weigelt
Fox and Fluff by Shutta Crum
Fantastic Mr. Fox by Roald Dahl
Piggy's pancake parlor by David McPhail
Do like a duck does! by Judy Hindley
The blue door : a fox and rabbit by David McPhail
Fox by Margaret Wild
I love you because you're you by Liza Baker
The Cake that Mack Ate by Rose Robart
No Peas for Nellie by Chris Demarest
Suddenly! and other Preston the pig books by Colin McNaughton
" Hi!" Pizza Man by Virginia Walters
Trouble on the Tracks by Kathy Mallat
Dinnertime! by Jan Pienkowski
Goodnight Horsey by Frank Asch
Treasure Hunt by Lorinda Bryan Cauley
The Cats of Mrs. Calamari by John Stadler
The Three Little Wolves & the big bad Pig by Eugenios Trivizas
Hilda Hen's Scary Night by Mary Wormell
The Minerva Louise books by Janet Stoeke
My Car by Byron Barton
Lima Bean Monster by Dan Yaccarino
Cook-a-Doodle-Doo by Janet Stevens
Here Comes the Cat by Frank Asch and Vladimir Vagin
Drat That Fat Cat by Pat Thomson
The Apple Tree by Lynley Dodd
Mrs. Hen's Big Surprise by Christel Desmoinaux
" What!" Cried Granny by Kate Lum
The Dark at the Top of the Stairs by Sam McBratney
Dear Readers: Should ACL Reviews Reveal Key Plot Points?
At the most recent ACL meeting, where we share book reviews that are published
in BayViews, there was a friendly discussion on whether or not a review should
reveal a key plot point.
On one hand, if the review reveals that someone dies, or it all turns out happily,
those of us who read the review before reading the book don’t get the
pleasure of finding that out for ourselves, and to tell if the foreshadowing
is effective or heavy-handed. On the other hand, librarians can’t read
every book, so it helps us in readers advisory to know about hot-button issues
in the books we buy, so we don’t recommend a book with a parent’s
death to one of our patrons who maybe isn’t ready for that.
Maybe it is an issue that is best answered by “it depends – a case
by case basis.” In some books, like SPOILER ALERT – Mick Harte
Was Here by Barbara Park, the reader finds out in the first chapter that the
narrator’s brother has died in a bike accident. So giving that away in
the review won’t really hurt anything. But telling about the death of
SPOILER ALERT Sal’s mother in Walk Two Moons will really spoil the reading
experience for most of us – we want to discover that for ourselves.
True, children’s librarians cannot read every book, but we read a lot
of them; that’s part of our job. And if reviews give away the endings
of most books, we miss out on a main component of experiencing literature.
So, should a book review reveal a main plot point (especially the ending) so
a librarian can know about the book just from the review, or should reviewers
try to avoid that so librarians can enjoy the book, or does that depend on
several factors, so revealing main plot points should only be revealed under
special circumstances?
We would like to hear from our readers: Should ACL reviews reveal key plot
points? Email Pikly@aol.com with your opinion.
Would You Buy a Children’s Book from Bill O’Reilly?
O’Reilly, Bill and Flowers, Charles. The O’Reilly Factor for Kids: A Survival Guide for America’s Families. HarperEntertainment, 2004. $22.95. ISBN 0-06-054424-4.
First, let me make this clear at the outset that this is not a review.
I am not a big fan of Bill O’Reilly, so I cannot be objective in reviewing
his new book. But having watched his show on the Fox News Channel, I was
a little surprised when I received a review copy of his new book and saw
that it was an advice book for kids. A guy who screams “Shut Up!” at
guests on his TV show doesn’t seem like a guy who should be giving
advice to kids.
During the first few weeks in October when O’Reilly appeared on talk
shows to promote his book, his manners were not exemplary – he called
Jon Stewart of “The Daily Show” a pinhead, and told David Letterman
to “Shut Up!” He yells at people in an intimidating way that borders
on violent – and that’s on camera. It makes you wonder how he may
bully people in private.
So what would this bully, whose verbal abuse would get him suspended from nearly
every school I know of, have to say in a chapter called “Bullies?” For
one, he describes a school incident when he punched someone who bullied him,
and how that ended the situation. Great advice, huh?
It becomes clear fairly quickly that this isn’t really a book for kids,
it is a book for adults. Both the subtitle mentioning that it is a guide for
families, and the price, which is more in the adult trade book range than the
average price of a kid’s book, mark this as a book for parents.
Even though it is written to sound like O’Reilly is speaking to the young
reader, it seems more suitable for a parent who wants to adapt the dialogue
when speaking to his or her own child. Adults have a right to read what they
want, even from someone who may not offer the most sound advice. So this would
work on a Parent’s Shelf if you feel you need to carry it to meet patron
requests.
However, it is not suitable for the children’s shelf. O’Reilly’s
advice on bullies includes “change your daily pattern to avoid the bully.” Why
should a bullied child have to change where they eat lunch to avoid the bully? – that
is blaming the victim. Parents who use it with a child could edit out these
ill-advised ideas; children who read it may not know this is unfair to the
victim.
In the chapter on dress, he spends nearly all his time warning girls not to
dress provocatively. And he tells boys to wear a crisp white shirt to look
good. But nothing on the baggy pants or gang-type clothing many boys still
wear – why pick on the girls’ dress and not the boys?
Many of you may be wondering about O’Reilly’s current legal woes
regarding charges of sexual harassment. But I believe a person is innocent
until proven guilty, so those charges are not influencing my reaction to his
book (in fact, I read the book a few days before those accusations came to
light).
Even if you get patron requests for this, you may not want it in the children’s
room – even on the parent’s shelf. Let the adult nonfiction section
house this along with his other books, and get some of the other great parenting
books available to offer to patrons.
Penny Peck,
San Leandro PL